The Well Spoken Singer

(0)
by Mary Saunders-Barton
Saunders-Barton gives a historical background to the development of a musical play or the musical and explains how vocal qualities evolved to match the demands. She explains that the vocal demands now call for very refined coordination of the C.T. and C.A. muscles. She also mentions how the vocal styles intended for legit shows such as Carousel are now changing and we have to become more open minded as singers and listeners.

Reviews

Advanced Search

Categories

Acoustics/Resonance   
Anatomy & Physiology   
Brain & Learning   
Diction   
History of Scientific Study of Voice   
Pedagogy   
Repertoire   
Style/Genre   
Vocal Health and Wellness   

Keywords

Abduct (1)
ACTH (1)
Actors (1)
Adduct (1)
Airway (2)
ALS (1)
Apathy (1)
Attack (1)
Audio (1)
Aural (1)
Belt (7)
BET (1)
Brain (2)
Breath (4)
CAM (3)
Cancer (1)
CCM (25)
Choir (2)
Choral (3)
Cramps (1)
Creak (1)
CT (2)
CVA (1)
Diet (2)
Edema (2)
ENT (1)
Fach (1)
FESS (1)
Filter (1)
fMRI (1)
FNA (1)
FNAB (1)
Formant (13)
Fry (1)
FSH (1)
Garlic (1)
GERD (5)
Glide (1)
Glottis (12)
Goiter (1)
Growl (1)
HPSM (1)
HRT (1)
Hyoid (1)
IA (1)
Injury (1)
IPA (1)
Jazz (1)
Kava (1)
Larynx (18)
LCA (1)
Legato (1)
Lesion (3)
LH (1)
LMA (1)
LPR (2)
LPRD (2)
LSVT (1)
Lungs (1)
Lupron (1)
Mania (1)
MBSR (1)
Mic (2)
MRI (2)
Mucosa (3)
Muscle (4)
Nerves (1)
Nodes (1)
Nodule (1)
Nose (1)
NSAIDS (1)
Onset (2)
Palate (2)
Panic (1)
PCA (1)
Pitch (1)
PMS (2)
Polyp (2)
Polyps (1)
Praat (1)
Prayer (1)
Range (1)
Reflux (11)
Rock (1)
Scale (1)
Scales (1)
Scar (2)
Septum (1)
SGA (1)
SHS (1)
Sighs (1)
Sinus (1)
Sirens (1)
SLP (1)
Strain (1)
Straw (4)
Stress (1)
Stroke (2)
Style (1)
SVS (1)
TA (1)
Timbre (1)
Tongue (3)
Tremor (1)
Trill (1)
Ulcer (1)
URI (1)
Uvula (1)
Velum (1)
Volume (1)
Vowel (4)
Warmup (5)
WHO (1)
Whoop (1)
Yoga (2)