Kerry Jennings

Style: Opera; Classical; Musical Theatre

Title: Director of Opera/Associate Professor of Music

Bio: Dr. Kerry Jennings is an Associate Professor of Opera Studies at Cal State Fullerton. His stage direction has recently been recognized with 1st and 2nd Place Awards in the National Opera Association’s Collegiate Opera Scenes Competition with scenes from The Ballad of Baby Doe (2021) and Der Rosenkavalier (2020), as well as being named a national finalist for The American Prize in Collegiate Opera Direction for his production of Massenet’s Cendrillon. Additional directorial credits encompass works from Monteverdi to composers of the 21st Century and include highlights such as L’Incoronazione di Poppea, Dido and Aeneas, Cosí fan tutte, Hänsel und Gretel, La bella dormente nel bosco, Suor Angelica and Gianni Schicchi, Amahl and the Night Visitors, The Old Maid and the Thief, Three Sisters Who Are Not Sisters, Sorry, Wrong Number, and The Cows of Apollo. Dr. Jennings is on the faculty of the International Lyric Academy in Charlotte, NC and Vicenza, Italy where he serves as a stage director and teaches voices. He also recently directed a production of Mozart’s Die Zauberflöte for the Austrian American Vocal Academy at the Kleines Theater in Salzburg. Before turning to a concentration in directing, Dr. Jennings’ performance highlights included over forty lead and supporting roles comprised of early, standard, and contemporary repertoire, recently singing the role of Ernesto in Don Pasquale in Sankt Anton, Austria. As a concert soloist, he has been heard in works by J.S. Bach, Beethoven, Händel, Haydn, Mozart, Puccini, Saint-Saëns, Rachmaninoff, Vaughan Williams, Britten, Fonseco, Orff, Rorem, and others. Noted for his “beautiful voice, great diction, and uncanny sense of style and phrasing,” Kerry’s recording In My Memory: American Songs and Song Cycles on Centaur Records was met with acclaim from both the composers and critics alike and features works by Libby Larsen, Tom Cipullo, Lori Laitman, and Richard Pearson Thomas. Libby Larsen has called Kerry’s recording of her cycle My Àntonia “the definitive reference performance for future performances.” He is also featured on David Arbury’s CD Alchemy and as tenor soloist on the Houston Camerata’s recording of Fonseca’s Missa Afro-Brasileira. He is currently working on his second solo disc of American Song Cycles which will feature works by Juliana Hall and Zachary Wadsworth. Jennings was a District Winner and Regional Finalist in the Metropolitan Opera National Council Auditions. Dr. Jennings is a member of several music organizations, including NATS, Opera America, The Recording Academy, The College Music Society, and NOA, where he is on his third cycle as a member of the Dominick Argento Chamber Opera Competition Committee.

Voice Type: Tenor

Music Styles Taught: Opera; Classical; Musical Theatre

Availability: I am available as a performer; I am currently accepting private students; I am available as a clinician or presenter; I accept students through a college or university program

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