International Congress of Voice Teachers 2022 | Vienna, Austria

Proceedings

Table of Contents

Keynote Address —

• Kenneth Bozeman
  A Teacher’s Journey: Things Learned along the Way
  

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• Susanne Amberg Schneeweis
  Recognizing voice problems and solving them with the Echodot-method EP+®
  
  
• Lydia Bechtel
  Salon Savvy: The Chamber Operas of Pauline Viardot as a Vehicle for Performance and Pedagogy
  
  
• Anne Marie Bice
  Breath of Life - Pranayama: Its Uses and Benefits For the Practice Room, Studio, and Stage
  
  
• Alta Marie Boover Dantzler, Drake Dantzler, and Lois Kaarre
  American Operetta
  Video recording
  
  
• Nancy Bos and Joanne Bozeman
  Singing Through Change: Women’s Voices in Midlife, Menopause, and Beyond
  
  
• Jean-Yves Bosse-Vidal
  Text Accentuation as a Major Aspect of Diction, Vocal Technique, and Musicality
  
  
• Mihaela Buhaiciuc
  Vocal Output Analysis of Unexposed Baroque Repertoire: A Case Study
  
  
• Maria Busqué
  Regenerative Singing: A Practical Introduction into Resonance Training
  
  
• Jennifer Cable
  Introducing Movement and Embodied Meditation into the Classroom and Applied Studio
  
  
• Patricia Caicedo
  Expanding the Art Song Repertoire: A Masterclass of Latin American and Iberian Art Song in Spanish, Catalan and Portuguese
  
  
• Juliarna Clark
  Classical to Jazz: A Chasm Too Wide? A Comparison of Jazz and Classical Vocal Pedagogy to Interpret Challenges in Crossing Over, and a Model for Navigating This Teaching/Learning Space
  
  
• Ilter Denizoglu and Elif Sahin Orhon
  Periodization Strategies in Professional Vocal Performance
  
  
• David Dillard
  La solita forma: Examining the Musical and Dramatic Structure of Bel Canto Arias
  
  
• Abigail Dueppen, Maurice Goodwin, Debra Greschner, and Teresa Procter
  Vocology: Past, Present, and Future
  
  
• Juliana Franco
  The Sounds of Brazilian Portuguese and the Main Pitfalls for Nonnative Singers
  
  
• Barbara Hoos de Jokisch
  Vocal Technique: What Does This Actually Mean?
  Balance and Synergy as Functionally Logical Principles of Vocal Training
  
  
• Patrick Hoyer, Monika Riedler, and Simone Graf
  Heathy Vocal Folds between the Vocal Tract and the Subglottal Region
  
  
• Susan Hurley
  AIDS Quilt Songbook: A Lecture-Recital
  Video Recording
  
  
• Meegan Hussain
  Music as Therapy: The Case for Cross-Cultural Understanding and Collaboration in a Nigerian Context
  
  
• Berislav Jerkovic
  Partnership Structuring of the Singing Class Curricula
  
  
• Anna Karlsson
  Sing Healthily and Consciously: The Dilaton (Diaphragm, Larynx, and Tongue) Method and Its Application in Classical Singing and Teaching
  
  
• Judith Kopecky
  Faded Voices – Forgotten Sounds: Ways to Approach Unknown Repertoire
  
  
• Elizaveta Koroleva
  Inclusive Singing Lessons for Children with Special Needs
  
  
• Stefanie Lorsch and Peter Anton Ling
  Approaches to the Singing Voice: Linguistically, Musically, Gesturally, and Mimetically
  
  
• Theodora Nestorova
  Lecture-Recital: The Forgotten Ones: Slavic Women Composers and Poets from the Twentieth to the Twenty-First Centuries
  Video recording
  
  
• Amy Pfrimmer
  Souvenance: Mélodies of César Franck
  Video recording
  
  
• Renate Publig
  Stage Fright and Breathing – Interrelation effects Power: With Mental Training to a More Expressive and Sound Voice
  
  
• Christianne Roll and Jeanne Goffi-Fynn
  A Case Study of Vocal Maintenance of Singers on a National Broadway Tour
  
  
• Alissa Rose
  Early Frost by Richard Auldon Clark
  
  
• Isabella Runggaldier and Katharina Rössner
  Hormonal Changes during and after Pregnancy and Climacteric: An Insight in the Practical Experience and Perception of Voice Professionals
  
  
• Katharina Rössner
  Erich Zeisl: The Song Output
  
  
• Philip Salmon and Susana Caligaris
  The Embodied Voice
  
  
• Loraine Sims
  Gender Neutral Voice Pedagogy: It’s Not Just for Transgender Singers Anymore!
  
  
• David Sisco
  Whole-Hearted Teaching: Bringing a Different Kind of Science into the Studio
  
  
• Katherine Skovira
  The Forgotten Fach: The Sfogato in the Nineteenth Century
  
  
• Brenda Smith
  Breath: The Magic Ingredient in Lifelong Singing
  
  
• Noëlle Turner
  Bel Canto on Broadway: Bel Canto as a Genre-Neutral Vocal Technique

Editors

• Anna Hersey
• Matthew Hoch
• Donald Simonson